I mentioned in my last post that Waltham Textiles Exhibition will feature an Octopuses Garden. Well, after many hours of needle felting Olivia, or Oli to her friends, was born. At approx 36cm in diameter she’s a blue ringed octopus, fully articulated and created from carded Corriedale with Merino markings. The only thing left to do now is create and attach her suckers but that will be a fiddly time consuming job and one that will be fitted around less repetitive projects!
In real life the blue ringed octopus is much smaller than Oli. Size differs between species, but they range from around two to six centimetres long, with arms reaching lengths of seven to 10 centimetres. They usually appear as pale-brown in colour, and are only identifiable by their iridescent blue markings when they are agitated or hunting. Native to the Pacific Ocean, they can be found in the soft, sandy bottom of shallow tide pools and coral reefs. Although small and pretty they carry an extremely toxic venom which they use to paralyse their prey! Like other octopuses the blue-ringed octopus has a short lifespan of about two years. During the mating season the female will lay anywhere from 50-100 eggs, which she will guard for a long incubation period lasting almost two months. The male blue-ringed octopus dies after mating.
I’ve also recently given a makeover to a 3D wet felted piece, this was the first of two coral inspired vessels I made in 2023. The second one was heavily FM stitched, and far more interesting for it! I’ve been looking at this first vessel for a while and thinking “should I”? Over Christmas I finally bit the bullet and added FM stitch. The images on the left show before and on the right show after.
I absolutely love stitching into felt, whether by hand or machine, and I’m really pleased with the outcome and the added depth the machine stitching has created in this project.
As part of the Waltham Windmill “Making Waves” challenge all members will have a metre wide wall space at next years exhibition to use as they wish. It’s too early to know for sure what I’m going to be putting up in my space (no shortage of ideas though!) but one possible piece could be this wet felted wallhanging I’ve called “Going with the Flow”. The inspiration for this came from the wonderful, wavy markings on the large stone slabs on Seahouses beach in Northumberland. This is one of my favourite spots in the UK and I took these photos a couple of years ago knowing that one day they would inspire a piece of work.
For the background I pulled out my box of oddments, short lengths of fibre left over from various projects, not enough to put back in their pack but too much to throw away…..not that I ever throw any fibre away! I recently bought myself a drum carder from Richard Britton and had fun carding all those oddments before laying them out.
This is how it looked after felting with silk fabrics, silk fibres, knitting yarn and nepps. I liked the silk circles bottom left but wanted them more 3D so they were removed and replaced with hand dyed fabric discs, recycled from another project.
I didn’t have a sketch, or a plan, for where I was going but I like to work this way, I tend to make a start with a few lines of free motion stitch and see where it takes me. It would be far quicker to have a plan as it would avoid all of the attaching and removing and repositioning until it looks right, but I really do enjoy that process!
Its been several months in the making but I’ve thoroughly enjoyed working on it using a combination of free motion stitch, hand embroidery, recycled fabrics and coffee capsules, sheer fabrics, hand painted silk fabrics and machine wrapped cords. Another of the specific items we’ve been challenged with for the Making Waves exhibition is a fish. I immediately decided I was going to wet felt mine which lead to us having a in-house felted fish workshop and the creation of TroutPout! She’s made from carded Corriedale and is approximately 33cm x 36cm excluding the fins.
These are some of the other fabulous fish that members have made so far, this one is Barbara’s scary Fangtooth…..
Lucy made a wonderful wet felted Puffer Fish adding recycled plastics, including pipette tips, wine bottle netting and glass beads with recycling symbols underneath, to highlight the plight of our oceans.
Sue is new to wet felting but she’s taken to it like a fish to water (couldn’t resist!) and has made “Angry Fish”. I think he looks more sulky than angry but he’s terrific!
And there are several others that are work in progress….
I’ve been teaching 3D Seed Pod workshops recently using wire wrapped with Tyvek fabric and decided I’d also like to make an Anglerfish from wire rather than fibre. It was only when I’d got the 60cm x 33cm framework made that I sat back and realised I’d gone past the stage where I had meant to start adding my fabric! Time for plan B…..maybe I could use wire mesh to give it “body”?
I looked for some online but hesitated as I wasn’t sure how flexible or suitable the mesh would be. Having put the fish to one side, a few days later I joined the Lincolnshire Textile group and at my first meeting I was offered a piece of silver coloured Sinamay. Sinamay is one of the most popular hat-making foundations. It’s woven from the processed stalks of the abaca tree, a type of banana native to the Philippines. I couldn’t believe my luck……..being silver coloured this off cut looked like wire mesh but wasn’t and if I sprayed it lightly with water I could shape it to fit and stitch it with aluminium wire to my framework. So this is Wanda, also known as “Gone Fishing!” made with a combination of galvanised, aluminium and beading wire and Sinamay. She wasn’t easy to photograph as I didn’t have large enough sheets of black card but hopefully enough detail is showing.
Another feature of our exhibition will be the Octopus’s Garden so we will be needing a few Octopus and a variety of coral decorate it…..my collection is steadily growing!
I mentioned having joined the Lincolnshire Textile Group and, as luck would have it, their current theme, and next years exhibition, is “Water” so sits nicely with the Waltham theme. It’s good to know I can carry on creating ocean inspired work for at least the next 12 months!
Where did January go? With the lifting of Covid restrictions and things starting to get back to normal the time is passing in a blur. It’s terrific to be takings bookings for classes once again and I’m looking forward to working with new groups this year. It’s also going to be great, after two years of cancelled exhibitions, to be showing my work at the Quilt & Stitch Village at Uttoxeter in April and the Big Textile Show at Leicester in October.
At the Waltham Textile group we normally have a biannual exhibition of our work but, due to Covid, it was cancelled in 2020 rescheduled for 2021 and then had to be cancelled again. It’s now been confirmed for August but in the meantime I’ve sold my main “Leaf” themed piece made for that show so recently made this mixed media “Monstera” to replace it.
I bought a 40cm x 80cm canvas with the intention of painting Monstera leaves on it and then adding a 3D Felted leaf. After drawing a template onto paper and offering it up to plan the layout I changed my mind about painting onto the canvas. It’s not something I’ve done before and the surface appeared to be a bit too textured for the look I wanted to create. Instead I sketched the leaves onto a piece of white cotton fabric, outlined them with an Inktense pencil and added a little shading. The aim was for very simple, very smooth, perfectly formed leaves looking more like curved metal than the foliage on my cheese plant. I think this was influenced by the very smooth metallic looking Tyvek seed pods I’ve been making lately.
The Monstera in our lounge looks a bit neglected, to the point that I couldn’t bring myself to photograph it for this post! Its been with me for more years than I can remember, moving from house to house, and I thought it would be nice to make a piece of work inspired by this plant….or should I say the plant it used to be!!
I don’t consider myself a painter but I do like painting on to fabric. If you need to paint precise lines a good tip is to use aloe vera (by far the cheapest) or acrylic medium instead of water when applying acrylics on fabric. This keeps the paint where you want it to be and avoids it bleeding into other areas. I managed to get a tiny bit of black paint on the lower section of the fabric but stopped short of starting all over again when I realised the felted leaf would cover it up!
My paper template for the painted leaves was 13” x 18” so to make the felted leaf I multiplied by 1.4 enlarging it to 18.5” x 24” to allow for shrinkage. Layer one was a very yellowish green Merino (might have been lichen but not certain). Layer two was a combination of various shades of grey with the yellowish green running down the centre. This was topped with a layer of dark green Merino and Ireland Viscose all around the edge and snippets of gold Viscose down the centre. These images don’t give a true representation of colours but you get the gist.
After wetting out I measured the fibres and found they had spread to approx 20” x 27”. At the fulling stage, every now and then, I put the original template on top to check for size and ensure I was keeping to the right shape.
Once it had shrunk to the correct size it was left to dry. The next stage was to add wires to the back of the leaf so it could be shaped. This could possibly have been done with directional laying of the fibres and lots of fulling but I wanted the option of posing the leaf once it was attached to the canvas and wires are a good way of doing this.
The wires were spaced out and attached on the reverse using a zigzag stitch which also formed the veins on the front side. You can see that bright yellowish green colour on the reverse of the leaf. Once that was done it was just a matter of cutting into the felt to form the individual leaves and the characteristic little holes of the cheese plant before attaching to the canvas.
My recent Forest Floor workshop for the ladies of Snape Textiles up in Bedale has reignited my interest in working with Tyvek fabric. It’s a material I hadn’t used for a little while but making a tiny seed pod a few weeks ago, as a sample for their class, has led to more, and larger, pieces and an idea for a new workshop I’m calling Inspired by Nature…..3D Textiles.
The small seed pods are 6cm from end to end, the large one is 30cm
These pieces all start with a wire armature wrapped in hand painted Tyvek fabric which is then distressed with a heat gun.
What I particularly like about this technique is the metallic look that can be achieved…..although they are strong, and look as if they are heavy, these pieces actually have the weight and feel of paper.
The first Inspired by Nature – 3D Textile class will be held at Belchford Village Hall LN96LJ on the 22nd January 2022 so if you are interested in learning this technique, or want to know more about the workshop please get in touch via the contact form.
I recently had the pleasure of running two consecutive one-day workshops for members of the Snape Textile Group up in the beautiful village of Bedale, North Yorkshire.
The group had booked my Forest Floor workshop which covers lots of different techniques for working with heat manipulative materials and creating the kind of stuff you find littering the forest floor such as leaves, twigs, bark and seed pods. With 30 ladies interested it was decided to split this fast paced class into two days to ensure all of them had the best learning experience and no one got left behind!
A few of my workshop samplesReal bark v fake bark
After each demonstration the students set to painting, stitching, wrapping and distressing (using heat guns and soldering irons) their Tyvek and Lutradur to create the various elements.
This is a sample based workshop and students are not necessarily expected to produce a finished piece of work by the end of it when it’s booked as a one day class. We do discuss how to pull everything together and create a suitable background but this is something that can be done afterwards at your own pace. If a group particularly want to see it through to the end it can either be booked as a two day class or we simply limit the amount of leaves made on the day to get a finished piece done. Yes, it’s those leaves that tend to hook folk in and then the time just disappears!
Just a few examples of what was made
It was a full on weekend with the ladies producing an array of wonderful work and, hopefully, having a lot of fun in the process. This was the first time some had used a heat gun or a soldering iron but going by the response it won’t be the last!
Thanks to all for your enthusiasm, hard work and good company and a special thanks to Sarah Lowe for hosting me for the weekend. I’m looking forward to working with you all again at some point in the future.
Yesterday I visited the Sam Scorer Gallery on Drury Lane in Lincoln to see their latest exhibition, The Art of Transformation, by Horncastle printmaker Sinclair Ashman.
Sinclair says “I am an experimental fine art printmaker, but prints are not the only things I make’.
“The Art of Transformation will be a review of my latest work in burnt reliefs, metallics and traditional collograph printmaking over the last two years. It will also be an overview of selected prints from 2013 to the present. “
This exhibition provides a fascinating insight into the methods and materials that Sinclair uses as a printmaker and mixed media artist. What I found particularly interesting was seeing many of his beautiful, textural collograph plates, or lamina, which could themselves be hung as a work of art.
Circle I lamina 54cm x 54cmCircle I was designed in response to the theme of “symbol” and decorated with raffia and hand stitched threads.The Young Moon laminaThe Young Moon Print
More recently he has been experimenting with applying intense heat to print paper and metal leaf to create the “Treasure” series. Heat from a paint stripper gun reacts with the composition of the leaf, resulting in vibrant, iridescent colours and singes the edges of the paper. “To date, ‘Treasure’ pieces have taken two different forms: images printed from multiple, segmented plates and non-printed pieces made with burnt copper, silver and gold metal leaf.”
Elemental 68cm x 47cm mixed media
Its an inspiring exhibition and it was great to get to speak with Sinclair about the different aspects of his work.
The Art of Transformation runs until the 7th November.
This is my latest post, written for the Felting and Fibre Studio, about my trip to Northumberland earlier this this month in search of inspiration for a piece of work…..
I’ve had the theme “connected” running around in my head for while and decided to use it to experiment with free motion stitch. Each of these shapes has been made using FM on water soluble fabric. The shapes were then connected to a painted vilene background, suspended using FM.
My latest work, Roots, was made in response to a challenge set by the Waltham Textile Group who meet once a month at Waltham Windmill. This is an exhibiting group and, like many such groups, we all aim to produce a piece of work to a particular theme. The work will be displayed together at our bi-annual exhibition at the Windmill next August. Our current theme, leaves, couldn’t suit me better! There are absolutely no limitations for this main piece, it can be any size, any technique, 3D or 2D. This freedom in itself can be a headache because there are so many directions you can go in……..consequently I’ve yet to start that piece!
Roots – a Waltham Textile Group Challenge.
Running alongside our main theme we also have other, more specific, “challenges”. One of them is to produce three A4 pieces of work using three colours, each piece to predominantly feature one of those colours plus a little of the other two. This can be any style, any technique and any subject matter. You can see how I approached this challenge in a previous post “work in progress” and Roots is the result of that challenge.
Originally I made three wet felted backgrounds to which I was going to add lots of texture with fibre and stitch. The felt was put to one side for a few weeks while I did other things and by the time I went back to it I had changed my mind (surprise, surprise!). Instead of using the felt I reached for my roll of Lutradur, practising what I preach and using the techniques and materials demonstrated in my Forest Floor Workshop.
Detail from Roots showing the Lutradur leaves
It turned out to be a very mixed media piece with felted pebbles, free motion stitched ferns and weeds and Lutradur leaves and forest floor. The only items not hand made are three small brown Beech tree pods.
With this challenge finished its back to trying out ideas and working up samples for my main exhibition piece. I’ve no idea how that will look as yet but I’m thinking along the lines of it being “abstract”…..that thought may change several times between now and completion!
Last year I joined a group of creative ladies who meet once a month at Waltham Windmill. As well as working on our own projects we have a number of set “challenges” requiring us to work to a certain theme. This week I began one those challenges which is to produces three A4 size pieces of work using just three colours. Each piece is to have one predominant colour, plus a small amount of the other two. The format can be landscape or portrait but all three will be displayed together. The design, techniques and materials are entirely up to the individual.
My first thought was that I wanted my 3 pieces to be joined together and initially I was thinking along the lines of a leaf motif, using the veins to span the gaps between the work. The first design was for a very simple “spear” shaped leaf.
The second idea was to simplify it even more and loose the outline of the leaf. The background would possibly be heavyweight interfacing or Lutradur and the veins would be free motion stitched, spanning the gaps by stitching onto dissolvable fabric.
In the meantime I happened to take my dog for a walk in the woods at Hubbard’s Hills in Louth when I had a lightbulb moment! There were some wonderful exposed tree roots at the top of the hill and I suddenly saw these as being the joining element of my 3 x A4’s. The design now was for a “forest floor”.
I realised that I would need a sturdy backing so I’ve wet felted these using Bergschaf fibres and they will be individually mounted onto stiff card…..at least that’s the plan so far! There will be little background showing on pieces two and three but far more on piece one so I included some thick cords under that sheet of felt to indicate buried roots.
The tree roots above ground have an aluminium wire as their core, wrapped with wadding and strips of medium weight Lutradur before being painted grey.
I’ve started making the weeds using free motion stitch on dissolvable fabric but I will look at alternative materials, possibly Lutradur, to introduce different textures, create more bulk and not least to speed up the weed making process!
The fallen leaves at the base of the roots will be FM stitched on Lutradur. Once they’ve been cut out using a soldering iron and heat distressed to make them curl they will be painted in varying shades of gold.
I’ve managed to get a couple of other group members to send me images of their work in progress…..
Jacky approached the challenge by choosing blue, green and gold as her colours and using the “stack and whack” method to cut them up. After selecting her fabrics they were cut up quite randomly and then machined together in strips. The three sets were then layed on top of each other and sliced through again. The yellow and green shapes in the resulting strips made her think of plant pots and this led to her theme of “neglected pots and plants”. In this piece Jacky has added an appliqué cactus and free motion stitched the neglected straggly plants on the left. This one isn’t far off being finished but Ive been told the other two are still piles of fabric on the workroom table!
Carole has chosen to use a combination of plain and patterned fabrics in her chosen colour scheme of red, blue and yellow. Each of her A4’s feature a different piecing technique i.e. strips, curves and crazy patchwork. Again this is a work in progress but already you can see how individual members are putting their own mark on their work and how different everyone’s finished work is going to be. I will post images of the completed challenges next time.
Lincs In Stitches 