No, not my final show! This is the final show from members of the now defunct (CCN) Contemporary Craft Network. The group disbanded in 2019 but five of us have got together for one last time to exhibit at the beautiful Sam Scorer Gallery on Drury Lane in Lincoln’s Cathedral Quarter. The exhibition is free admission, open 10am – 4pm and runs from today until the 20th June. (There is a sixth person mentioned on the poster but unfortunately Andrew had to pull out at the last minute)
We set up yesterday and it’s looking great! There are two feltmakers, myself and fellow IFA member Moira West. There are two glass makers, Kevin Wallhead and Kate Sell, and two mixed media artists, myself and Christine Plummer. The nice thing is that although some of us share a passion for the same medium/craft, everyone of us has a totally different approach and a different style. When combined this has resulted in an interesting mix and what we are hoping will be a very successful show.
If you are reading this and you are local, or even further afield and fancy a day out in Lincoln, it would be great to have you visit. There are lots of other attractions in the area including a wealth of independent shops and bars, our fabulous Cathedral and Castle, the Little Red Gallery, St Martins Gallery and Harding House….all within walking distance of the Sam Scorer Gallery. With the exception of today and the 18th there will be a different artist on duty all day every day so why not come along, see their work and learn all about their craft.
The 2021 first quarter challenge from the Felting and Fibre Studio going out to all felters, spinners, weavers, stitchers, knitters, crocheters and mixed media fibre artists is to make something inspired by the decade 1900 – 1909.
Normally, with so many possibilities, I would spend quite some time looking at the different options but this time I knew instantly where I would be taking my inspiration from. It would be the book Art Forms in Nature which consists of stunning illustrations by the German biologist and professor of zoology, Ernst Haeckel. These illustrations were first published in 1904 and so fit the brief perfectly!
Haeckles illustrations have provided a source of inspiration for many designers and artists over the years starting with the Art Nouveau movement and continuing today.
A recurring shape seen throughout this book is the hexagon, hardly surprising as it’s everywhere we look in nature……from the basalt pillars of the Giants Causeway to honeycomb, it’s also found in the eyes of insects, tortoise shells, algae, fish scales and microscopic Protozoa…..the list goes on and on!
The first was a very simple form which can be open or closed.
The second was created using exactly the same template and resist but what was negative space on the top layer in the first sample became positive space in the second, creating a totally different look.
If you are interested in joining in this particular challenge, or any future challenges, or if you simply want to see what others have created you can find details on the Felt and Fibre Studio website
With the temperature dropping dramatically over the past week it’s no surprise that my last make of 2020 and my first of 2021 have been scarves. The beauty of both of these is that they are reversible so you have one scarf…..several possibilities.
2020’s last project was a fringed, reversible cobweb scarf made from a fabulous Superfine Merino blend called Champs Elyse from the Italian company DHG. The reverse side is a patchwork of hand dyed Margilan silk. I particularly love this and have been living in it for the past week as its incredibly soft and lightweight and goes with almost everything I wear.
As with so many of my projects, the colour scheme for my new year scarf changed and developed as I worked. Originally it was going to be a combination of colours inspired by the Champs Elyse.
Having laid out the central fibres in blue and green I ditched the multicoloured idea and I’m so pleased I did as I prefer the simplicity of this final scheme with this particular shape. It’s difficult to get a true representation of the colours in a photo but on the blue side I’ve overlaid with a very deep purple Viscose. This has created an extra depth of colour that I’m really pleased with. Apologies for the mismatched brooches…..I grabbed what I had for the sake of getting photos and posting this evening! I will be making a couple this week which will be more appropriate for the ruffle scarf.
The past couple of weeks have been very grey, damp and overcast but, unlike a lot of folk I know, I love being outdoors when it’s like this and have even found myself volunteering for extra long dog walks!! Don’t get me wrong, I love the Summer but there’s something very atmospheric about a grey damp day and the smell of the soil and vegetation underfoot.
I think I’ve been subconsciously channelling the grey into my latest work because I hadn’t really thought about changing from a gold/rust palette to a grey scheme….it just seemed to happen.
Again, although I’ve not been dwelling on it, I also think that lockdown, and the resulting lack of opportunity for nights out and seasonal parties, has maybe left me pining for a bit of glamour.
The first grey collar was one of my mystery (unlabelled) fibre blends. It’s a little hairy but extremely soft. It’s the longest of the three which gives it scope for being worn in different ways.
The second is a blend of Superfine Merino with white Bamboo fibre which creates a fabulous sheen.
The third is Superfine Merino with white Bamboo and a dusky pink Viscose fibre. I love the silky effect that’s created by the Viscose and find I’m using this more and more.
I’m now working on shoulder bags to coordinate with the collars.
Nights out are on hold for the time being but we may as well be ready for when we can get that little black number on again!
These scarves celebrate my favourite time of year, the Autumn. All around us the leaves are now turning beautiful shades of red, orange and gold, there’s the crunch of leaves underfoot and the earthy smell of damp soil. It’s time for wearing warm scarves and mittens and what better excuse for making some Autumn inspired pieces. I couldn’t resist adding a few falling leaves to a couple of them!
I was thrilled to get a phone call this afternoon to say that my “Shadows” wet felted wallhanging has been accepted by the National Centre for Craft & Design as part of their Art Club open exhibition. It will be on display in the Activity Zone from this Thursday until the 6th September.
One of my favourite pastimes has to be creating wet felted jewellery. I love the sculptural aspect of felting and when this is combined with small wearable items like necklaces and bangles, each one becomes a miniature piece of sculptural, wearable art.
These pieces were created early on during the lockdown when I came to realise that I was never happier than when I was working with lots of texture and a very simple monotone colour palette. In truth I’ve always known this but somehow it’s been amplified with spending much more time in the studio and noticing that the more colourful work was jarring with me!
The Superfine Merino necklaces are embellished with stitch, beading and tiny pieces of Nuno and finished with metal chain fasteners. The great thing about this technique is that each piece is totally unique, you could never have two pieces alike.
Although there were many negative sides to “lockdown”, for many of us, there were also lots of positives. On the one hand all of my classes, exhibitions and shows had to be cancelled which was very depressing. One the other hand, it meant I now had unlimited time for walking with Maddie, my staffy boxer cross, which was uplifting. I’m sure a lot of us started to notice things we would otherwise have simply passed by, like these wonderful shadows cast by the trees.
I decided to use these shadows as inspiration for an abstract wet felted Wallhanging. The fibres used are Merino and Viscose and it’s been embellished with free motion stitch, hand spun yarn (my first attempt at spinning!) and Colonial Knots. The finished piece is mounted on board and measures 42cm x 58cm. It will form part of my “Fabric & Fibre of Nature” exhibition at The Quilt & Stitch Show, Uttoxeter in April 2021.