I’ve currently got a thing for pebbles so thought it would be nice to create a Pebble Necklace. This has been wet Felted using grey and lichen superfine Merino and white Silk. It features hand stitched Colonial knots and is finished with a bronze coloured metal chain and fastener.
This Rock Pool with Seaweed is approximately 33cm x 38cm. It has been made using Bergschaf fibres for the background and rocks, Merino for the seaweed and Angelina for the water. The barnacles are hand embroidered Colonial Knots.
This is a hat I made last weekend in Ipswich where I attended a wonderful wet felting workshop with international feltmaker Annemie Koenen. Annemie had come over to the UK from her home in the Netherlands to deliver a three-day workshop for Region 7 of the IFA and I wasn’t going to miss it as it’s always a real pleasure to work with her.
The wool I used was a beautiful Merino and silk blend which Annemie dyes in her studio. This is only my third hat and it’s been fascinating making them as each one has involved a different technique, learnt from different tutors. This design is by far the most flamboyant and I’m looking forward to showing it at the Big Textile Show at the end of the month.
I’m writing this sitting in my B&B in Stoney Stanton having just eaten a delicious meal in Nemos Bar. I travelled down here last night ahead of a two day workshop with Mandy Nash to make experimental sculptural forms. The workshop is being held in Arnesby, a small village just south of Leicester.
This morning Mandy began by showing us some of her wonderful wet felted objects, including hats, bags and funky fish, and explaining how the various 3 dimensional shapes were achieved. Several of the bags and vessels had been created using “book resists” and this was the method we were going to be working with. In addition Mandy talked us through the various surface design techniques she uses and demonstrated how we could achieve these effects using Bergschaf wool batts. Most of the ladies chose to make a fish and the following photos show their work in progress.
Georgina and I chose to make a vessel and treat it as a sampler, using the various surface treatments on each of the sides.
This is my three sided vessel taking shape…..
It was full day and a lot of fun but none of us have finished our pieces yet so I will post an update on how things turned out tomorrow.
A couple of days ago I discovered a wonderful American felt artist by the name of Lisa Klakulak. Her work is incredible and you can see her website here. After seeing her wonderful wet felted jewellery I was inspired to have a go at making something for myself. My first attempt was a bangle made from grey and yellow Merino wool tops. I was disappointed with how it turned out, bulky and crude looking, so stripped it apart and started again.
The second time round I free machined the felt using grey and copper coloured metallic thread and replaced the yellow felt ball with a silver metal button. I used the second strip of grey/lemon felt, again with the metallic stitching and metal button, to make a matching asymmetrical necklace. This time I’m happy with the result!
It’s a wet Bank Holiday in Lincolnshire and to cap it off I am full of cold so doing a bit of felting in between the hot drinks and sniffles! These Merino purses, made with a resist, are an ideal size for glasses cases and a good way to use up oddments of fibres which I seem to have a lot of. I’ve embellished them with tiny bits of silk, sari waste and more Merino and finished off with a button closure.
I’ve just made an experimental piece as I wanted to answer a friend’s question which was “will PVA stiffen felt”? I created a very quick wet felted bowl using a single layer of grey Norwegian wool which was lightly felted and then soaked in a 50/50 solution of PVA and water. It was placed over an upturned glass bowl until it dried out. It isn’t rock hard but certainly stiff enough to give it some body. I can’t say that I particularly like it as a finished piece, so it will probably get washed out and recycled, but the PVA did its job so my friend got their answer and I’ve learnt something for future use.
The wet felted octopus is finished and there’s just enough of the afternoon left to get outside with the dog and enjoy the weather.
The body had been felted so hard I broke 5 needles working on him this afternoon!
All washed up……..if only we lived at the coast!
A few weeks back I read Ruth’s review on the Felting and Fibre Studio about the fascinating wet felted items that members had created using a “book resist”. I’d never heard this term before but when I read the Book Resist Tutorial by Teri it all made sense and I realised how a lot of the 3D items I had seen previously in exhibitions and on-line had been made. Wet felting with a book resist opens up new possibilities allowing you to create seamless complex shapes in one piece.
I was particularly interested in the amazing octopod. I am planning to make an explorers outfit for the Asylum Steam Punk Festival in August and a felted octopus could be one of my accessories…..maybe draped over a shoulder or clinging to the skirt!
Unfortunately I got so carried away with the felting I forgot to photograph the resist before covering it. It had to be cut to remove it but this shows you roughly how it looked. It was made from 4 sheets of A4 acetate, cut into 8 sections and sewn together in the centre as a “book”.
Each section was covered in turn with three layers of varying shades of yellow Merino and gently rubbed.
After removing the resist the octopod was rolled, rubbed and thrown around to finish the felting process. The tentacles are now done but I will add a wet felted body later in the week to take him from octopod to octopus.