Final Show…..

No, not my final show! This is the final show from members of the now defunct (CCN) Contemporary Craft Network. The group disbanded in 2019 but five of us have got together for one last time to exhibit at the beautiful Sam Scorer Gallery on Drury Lane in Lincoln’s Cathedral Quarter. The exhibition is free admission, open 10am – 4pm and runs from today until the 20th June. (There is a sixth person mentioned on the poster but unfortunately Andrew had to pull out at the last minute)

We set up yesterday and it’s looking great! There are two feltmakers, myself and fellow IFA member Moira West. There are two glass makers, Kevin Wallhead and Kate Sell, and two mixed media artists, myself and Christine Plummer. The nice thing is that although some of us share a passion for the same medium/craft, everyone of us has a totally different approach and a different style. When combined this has resulted in an interesting mix and what we are hoping will be a very successful show.

If you are reading this and you are local, or even further afield and fancy a day out in Lincoln, it would be great to have you visit. There are lots of other attractions in the area including a wealth of independent shops and bars, our fabulous Cathedral and Castle, the Little Red Gallery, St Martins Gallery and Harding House….all within walking distance of the Sam Scorer Gallery. With the exception of today and the 18th there will be a different artist on duty all day every day so why not come along, see their work and learn all about their craft.

Circles & Holes…..

A few weeks ago, after trying to get from one side of my workroom to the other, I decided enough was enough……it was time for some serious sorting out! When you have students visiting regularly for workshops you have to keep things fairly tidy and organised but obviously, for the past year, this hasn’t been happening and so things had got seriously out of hand!

As well as the satisfaction of filling a bin bag with accumulated rubbish, it was great to discover a couple of books and a few samples of rust and tea dyed fabrics, and one covered with stamped leaves/grasses, which I had made a few years ago and completely forgotten about.

I’d been thinking of doing some felted work with the theme of circles & holes, and still will do, but on finding this fabric I knew I wanted to make some small ”circles & holes” combining the rust dye with the leaf stamps. So this is the result, all pieces are in square box frames measuring 25cm. Each hole was positioned to act as a small view finder for a rusty mark.

Having enjoyed making those I followed up with some more leaf stamping…..

…….and rust dyeing. This is all the same white cotton fabric but the grey marks are a result of soaking the fabric in tea before adding the rusty objects. To achieve the orange marks the fabric has been soaked in vinegar. My favourite piece, second from the right, has the grey background (tea) but also the orange marks from dipping the rusty bolts into vinegar.

These are two pieces made from the second batch of leaf printed fabric and that orange and grey rust print. In both of these the circles have been darkened by adding more paint.

Layer, Stitch & Burn…..

One of my favourite workshops has to the Layer, Stitch & Burn which I will be running again at the Alford Craft Market Centre on November 16th. This class teaches a technique made famous by the American mixed media textile artist Susan Lenz.

The title sums it up exactly, we begin by layering our fabrics, we use free motion machine stitching to hold them all together and then we set them fire! OK, so we don’t go quite that far but we do apply heat to manipulate and burn away sections of our work which results in a beautiful lacey effect.

This is an example of Susan’s work

I first discovered Susan’s work via a video on YouTube where she was teaching how she made her “In Box” series. I had only just discovered there was such a thing as textile art and had started experimenting with my own projects, so to see a Textile Artist with a heat tool and a soldering iron was pretty exciting stuff! It inspired me to research further which led me to Margaret Beal and her book New Ideas in Fusing Fabric…..needless to say I’ve had an interest in manipulating fabric by burning ever since!

Originally In this workshop we made a square piece of work to fit a small box frame but there is also the option of using this technique to make several smaller pieces which can be used as brooches. These leaf brooches were made using the same fabrics that are supplied for the workshop and the same method but students can apply it to any shape or subject matter.

Leaf Brooch made using the Layer, Stitch & Burn technique

It’s very strange times right now and, understandably, lots of ladies are not yet ready to come back to classes. I’m just hoping that we get enough interest to run this workshop on the 16th……fingers firmly crossed!

NCCD Art Club…..

It’s been a thrill to have a piece of work on display at the National Centre for Craft and Design and, although the physical exhibition has ended, there is the chance for a wider audience to see the NCCD Art Club show as it’s now available as an online exhibition.

The exhibition was in response to Covid-19 to “unite our community through creativity to help us all respond, recover and look ahead to a new world. Through craft, design, making and performing we’re encouraging everyone to unleash their creativity and improve their health and wellbeing at this time.”

There is a huge diversity of work on display and it’s interesting to see how the different artists have responded to the four main themes which were Inside / Outside, Creative Healing, Joy & Happiness and What’s your daily medicine?

https://nccd.org.uk/exhibitions/nccd-art-club

Wearable Art…..

One of my favourite pastimes has to be creating wet felted jewellery. I love the sculptural aspect of felting and when this is combined with small wearable items like necklaces and bangles, each one becomes a miniature piece of sculptural, wearable art.

These pieces were created early on during the lockdown when I came to realise that I was never happier than when I was working with lots of texture and a very simple monotone colour palette. In truth I’ve always known this but somehow it’s been amplified with spending much more time in the studio and noticing that the more colourful work was jarring with me!

The Superfine Merino necklaces are embellished with stitch, beading and tiny pieces of Nuno and finished with metal chain fasteners. The great thing about this technique is that each piece is totally unique, you could never have two pieces alike.

Must Try Harder…..

They say the longer you put something off the harder it becomes. Well I definitely find that’s the case when it comes to blogging! I’m not a natural “writer” but even so I can’t believe it’s been more than six months since my last post! Note to self….must try harder!!

Back in April I created two pieces of abstract wall art for the bi-annual Waltham Textiles Exhibition. It should have been happening later this month but, as with so many events, will now be taking place in 2021, fingers crossed!!

This first piece will be mounted onto board measuring 50cm x 100cm. Inspired by sunsets it consists of various wet felted fibres, Viscose fibres and a mix of natural and synthetic fabrics. It’s all held in place using machine free motion stitching onto a painted Lutradur background. I love the textures that can be achieved when using this technique and I particularly like adding synthetic glitzy fabrics for a little bit of bling!

Abstract Sunset
Detail of Abstract Sunset
Detail of Abstract Sunset

This second piece was constructed in the same way. Rather than mounting it on a board, I think I’m going to mount this one behind glass in a black edged 40cm x 80cm frame.

Burlesque – Abstract Wallhanging
Detail of Burlesque
Detail of Burlesque

Roots….

My latest work, Roots, was made in response to a challenge set by the Waltham Textile Group who meet once a month at Waltham Windmill.  This is an exhibiting group and, like many such groups, we all aim to produce a piece of work to a particular theme.  The work will be displayed together at our bi-annual exhibition at the Windmill next August.  Our current theme, leaves, couldn’t suit me better!  There are absolutely no limitations for this main piece, it can be any size, any technique, 3D or 2D.  This freedom in itself can be a headache because there are so many directions you can go in……..consequently I’ve yet to start that piece!

Roots – a Waltham Textile Group Challenge.

Running alongside our main theme we also have other, more specific, “challenges”.  One of them is to produce three A4 pieces of work using three colours, each piece to predominantly feature one of those colours plus a little of the other two.  This can be any style, any technique and any subject matter. You can see how I approached this challenge in a previous post “work in progress” and Roots is the result of that challenge.

Originally I made three wet felted backgrounds to which I was going to add lots of texture with fibre and stitch.  The felt was put to one side for a few weeks while I did other things and by the time I went back to it I had changed my mind (surprise, surprise!). Instead of using the felt I reached for my roll of Lutradur, practising what I preach and using the techniques and materials demonstrated in my Forest Floor Workshop.  

Detail from Roots showing the Lutradur leaves

It turned out to be a very mixed media piece with felted pebbles, free motion stitched ferns and weeds and Lutradur leaves and forest floor.  The only items not hand made are three small brown Beech tree pods.

With this challenge finished its back to trying out ideas and working up samples for my main exhibition piece.  I’ve no idea how that will look as yet but I’m thinking along the lines of it being “abstract”…..that thought may change several times between now and completion!

Arts & Crafts Event…..

I’m delighted to be returning to the Walled Garden Baumber on The 28th & 29th of this month to take part in their annual Arts & Crafts Event.  It’s an opportunity meet local professional artists, working in a variety of materials and styles, and maybe discover that unique Christmas gift.

The WGB is a wonderful setting for an event like this and with the craft stalls being under canvass it will be a great day out come rain or shine!

As well as the craft marquee you will find ample parking, plant sales and a tea room serving delicious home made cakes and snacks.  The event runs from 10am until 3pm each day.