Second LINQS Meeting…..

Last weekend saw the second meeting of the LINQS group at The Coach and Horses in Billinghay. It was a very good turn out with 25 ladies attending the meeting, most of whom arrived early to take advantage of the delicious lunch time menu.


Sheila chaired the meeting and it was great to hear that, as well as now having 39 members, we also have a number of venues showing an interest in exhibiting our DH quilts when they go on the road next year.

Several of the ladies brought along the quilts they have started, while others were keen to show which of the DH paintings they are intending to use for inspiration for their work.

Jean's quilt is inspired by Hockney's Woldgate Woods.

Jean’s quilt is inspired by Hockney’s Woldgate Woods.

Jean took her inspiration from Hockney’s paintings of “Woldgate Woods”. This beautiful, hand sewn quilt has been created using a jelly roll for the background and appliqué for the foreground.

Karin's quilt inspired by Hockney's painting of Garrowby Hill.

Karin’s quilt inspired by Hockney’s painting of Garrowby Hill.

The shapes and colours in Karin’s quilt have been influenced by Hockney’s landscape painting “Garrowby Hill” with its winding road and patchwork fields.

Rosie shows the fabrics she will use for her quilt.

Rosie shows the fabrics she will use for her quilt.

Rosie is also taking Garrowby Hill as her starting point. It’s all in her head at the moment but her fabrics have been selected and are ready for the cutting mat!

Sandra's choice is Hockney's "Three Green Waves with Orange Sand".

Sandra’s choice is Hockney’s “Three Green Waves with Orange Sand”.

Sandra’s choice is a little known image entitled “Three Green Waves with Orange Sand” which features in the book “Hockney’s Pictures: The Definitive Retrospective”.

Molly and her quilt.

Molly and her quilt.

Molly designed her quilt after seeing the Hockney collection on a visit to Salts Mill Gallery.

The red background for Carole's quilt.

The red background for Carole’s quilt.

Carole has created a background for her quilt using curved strips of fabric in various shades of red. The foreground will feature a wine glass with a reflection of Hockney’s face. Carole told me she is experimenting with a new technique for creating the wine glass. Once it’s finished we will show a photograph and get Carole to explain in her own words how she created it.

The next meeting was scheduled for March.

LINQS David Hockney Challenge…..


Are you living in Lincolnshire? Do you enjoy quilting and fancy a challenge? If you can answer yes to both these questions you might like to join the ladies in LINQS (Lincolnshire Quilters) and create a quilt inspired by any work of David Hockney’s, past or present. Quilts can be made by an individual or a group and the work can feature any technique or style, including traditional.
The criteria we have to adhere to is…..

1. To be a quilt it must have 3 layers

2. The size must be either 30″x40″ or 30cm x 40cm portrait or landscape. If you want to make a larger size quilt you can hang several smaller ones together.

3. No matter what style we use we must be able to link the finished piece back to DH’s work.

For more information or to register your interest click here.

I didn’t really know Hockney’s work before signing up for the challenge but, after talking to one of the members of LINQS, I took a ride up to Salts Mill to see it for myself. Salts Mill is in Saltaire, West Yorkshire, a few miles from Bradford and it houses a permanent display of Hockney’s work. It also has a terrific book shop and a restaurant serving delicious food on the top floor.

The Arrival of Spring in Woldgate

The Arrival of Spring in Woldgate


Background of my monotone quilt.

Background of my monotone quilt.

Trees are added to stand away from the background.

Trees are added to stand away from the background.

Detail of foliage at base of trees.

Detail of foliage at base of trees.

I’ve started work on two ‘mini size, quilts, the first is based on The Arrival of Spring in Woldgate. I decided to strip it back to a monotone colour scheme and started off in a fairly traditional way using machine and hand stitching on the background. I wanted the trees to stand out so I used black acrylic paint on vilene, backed with black felt and attached them with my glue gun. The foliage at the base of the trees was cut from a piece of lace which has also been painted with acrylic. I’m not sure how I am going to finish this one… I add the large leaves and the vines? I’ll sleep on it a bit longer before deciding my next step.

The second piece I’m doing is based on Hockney’s early self portrait collage. This is going to be a mixed media quilt using paper, paint and fabric. The background is the ‘Newsprint’ wallpaper from my last post. I have stuck it onto cream netting using PVA. Once it was dry I turned it over, soaked it with water and gently rubbed the backing paper off until the image was showing through. This has created a nice thin layer which I can quilt at a later stage.

Hockney 1954 Self Portrait

Hockney 1954 Self Portrait

Starting work on DH's face.

Starting work on Hockney’s face.

More shading added to the face....the glasses are tried on for positioning.

More shading added to the face….the glasses are tried on for positioning.

Rather than copying Hockney’s 1954 self portrait I have chosen to show him as he styled himself in the 60’s with his trademark dyed blond hair and thick black round specs. After drawing the features onto cotton fabric I am trying a new (to me) technique for colouring the face, using a soldering iron to fuse layers of organza. I got the idea after buying the Margaret Beal book New Ideas in Fusing Fabric. The work in this book is so inspirational I had to buy the iron and have a go! I’m hoping to get some more of this quilt done this week so will post an update when I do.

Getting Creative With Tyvek…

Last week I discovered an exciting new (to me at least!) ‘crafting’ product and, having tried it out yesterday, I thought it worth a mention here.  book cover

My discovery came about as a result of buying a book from The Book Depository called ‘Three Dimensional Embroidery‘ by Janet Edmonds.

It’s a fabulous book packed with the most inspiring illustrations imaginable and great ideas for creating all manner of things with different types of fabrics.  Chapter 5 is all about using ‘manipulated methods’, distorting fabric to create form and texture, and includes a beautiful photograph of what looks like decaying seed pods.   The caption says they were made from fine-weight Tyvek but, although I loved what I was seeing, it didn’t mean a thing to me!  This changed a couple of days later when I was visiting Illustration from bookCrafty Notions in Newark and, lo and behold, there on a shelf near the felting supplies, I spotted a bag of Tyvek…fate or what?  It seems I was meant to try this stuff out!

So, for the uninitiated, what is Tyvek?  Manufactured by DuPont, it’s an extremely durable, man-made fabric, available in different weights.  Being light-weight but very tough, breathable and water-resistant, one of its most popular applications is in the construction industry.  Other uses include industrial packaging, signage and protective workwear.  Its characteristics make it an ideal choice for crafting as it can be coloured using fabric paints, acrylic paint or felt pens.  It can also be die-cut, laminated, embossed, printed onto and stitched, but the real fun begins when you apply heat to it.  This will cause the fabric to shrink and bubble and, if you apply sufficient concentrated heat,  holes will appear creating a beautiful, lacy effect.  I found you can produce some fabulous distressed effects using a heat gun, clothes iron or soldering iron (I didn’t have the latter so I simply held a piece of wire in my pliers and heated it over a gas ring!).

Anyway the result is shown below…my take on the Tyvek seed pods.  The first image was taken after holding the pod over a gas ring, supported on a spatter guard.  The second photo shows the pods after I used the ‘Papermania’ heat tool on them and then added more holes with my home-made soldering iron (hot wire) and added gold metallic thread across some of the larger openings.  My mind is racing with ideas for more ‘manipulated’ projects and I am wondering if I can find a way of combining Tyvek with felting….watch this space!

Tyvek seed pod

My version of the Tyvek seed pod

Stage two saw more holes and the addition of gold metallic thread across some of the larger openings on the green pod.

Stage two saw more holes and the addition of gold metallic thread across some of the larger openings on the green pod.