Channelling the Grey…..

The past couple of weeks have been very grey, damp and overcast but, unlike a lot of folk I know, I love being outdoors when it’s like this and have even found myself volunteering for extra long dog walks!! Don’t get me wrong, I love the Summer but there’s something very atmospheric about a grey damp day and the smell of the soil and vegetation underfoot.

I think I’ve been subconsciously channelling the grey into my latest work because I hadn’t really thought about changing from a gold/rust palette to a grey scheme….it just seemed to happen.

Again, although I’ve not been dwelling on it, I also think that lockdown, and the resulting lack of opportunity for nights out and seasonal parties, has maybe left me pining for a bit of glamour.

The first grey collar was one of my mystery (unlabelled) fibre blends. It’s a little hairy but extremely soft. It’s the longest of the three which gives it scope for being worn in different ways.

The second is a blend of Superfine Merino with white Bamboo fibre which creates a fabulous sheen.

The third is Superfine Merino with white Bamboo and a dusky pink Viscose fibre. I love the silky effect that’s created by the Viscose and find I’m using this more and more.

I’m now working on shoulder bags to coordinate with the collars.

Nights out are on hold for the time being but we may as well be ready for when we can get that little black number on again!

Autumn inspired…..

These scarves celebrate my favourite time of year, the Autumn. All around us the leaves are now turning beautiful shades of red, orange and gold, there’s the crunch of leaves underfoot and the earthy smell of damp soil. It’s time for wearing warm scarves and mittens and what better excuse for making some Autumn inspired pieces. I couldn’t resist adding a few falling leaves to a couple of them!

Superfine Merino with Silk
Superfine Merino with Viscose
Even grey sky’s and faded pink blooms on the hydrangea can provide some Autumn inspiration. Nuno felted Superfine Merino and silk.
To say this one is a “holey” scarf it’s actually incredibly snug and warm and it’s so lightweight you don’t know it’s there! Superfine Merino and Viscose.

Wearable Art…..

One of my favourite pastimes has to be creating wet felted jewellery. I love the sculptural aspect of felting and when this is combined with small wearable items like necklaces and bangles, each one becomes a miniature piece of sculptural, wearable art.

These pieces were created early on during the lockdown when I came to realise that I was never happier than when I was working with lots of texture and a very simple monotone colour palette. In truth I’ve always known this but somehow it’s been amplified with spending much more time in the studio and noticing that the more colourful work was jarring with me!

The Superfine Merino necklaces are embellished with stitch, beading and tiny pieces of Nuno and finished with metal chain fasteners. The great thing about this technique is that each piece is totally unique, you could never have two pieces alike.

Must Try Harder…..

They say the longer you put something off the harder it becomes. Well I definitely find that’s the case when it comes to blogging! I’m not a natural “writer” but even so I can’t believe it’s been more than six months since my last post! Note to self….must try harder!!

Back in April I created two pieces of abstract wall art for the bi-annual Waltham Textiles Exhibition. It should have been happening later this month but, as with so many events, will now be taking place in 2021, fingers crossed!!

This first piece will be mounted onto board measuring 50cm x 100cm. Inspired by sunsets it consists of various wet felted fibres, Viscose fibres and a mix of natural and synthetic fabrics. It’s all held in place using machine free motion stitching onto a painted Lutradur background. I love the textures that can be achieved when using this technique and I particularly like adding synthetic glitzy fabrics for a little bit of bling!

Abstract Sunset
Detail of Abstract Sunset
Detail of Abstract Sunset

This second piece was constructed in the same way. Rather than mounting it on a board, I think I’m going to mount this one behind glass in a black edged 40cm x 80cm frame.

Burlesque – Abstract Wallhanging
Detail of Burlesque
Detail of Burlesque

Work in Progress…..

Last year I joined a group of creative ladies who meet once a month at Waltham Windmill.  As well as working on our own projects we have a number of set “challenges” requiring us to work to a certain theme. This week I began one those challenges which is to produces three A4 size pieces of work using just three colours. Each piece is to have one predominant colour, plus a small amount of the other two. The format can be landscape or portrait but all three will be displayed together. The design, techniques and materials are entirely up to the individual.

My first thought was that I wanted my 3 pieces to be joined together and initially I was thinking along the lines of a leaf motif, using the veins to span the gaps between the work. The first design was for a very simple “spear” shaped leaf.

The second idea was to simplify it even more and loose the outline of the leaf. The background would possibly be heavyweight interfacing or Lutradur and the veins would be free motion stitched, spanning the gaps by stitching onto dissolvable fabric.
In the meantime I happened to take my dog for a walk in the woods at Hubbard’s Hills in Louth when I had a lightbulb moment! There were some wonderful exposed tree roots at the top of the hill and I suddenly saw these as being the joining element of my 3 x A4’s. The design now was for a “forest floor”.
Sketchbook page showing a design for piece of textile art
I realised that I would need a sturdy backing so I’ve wet felted these using Bergschaf fibres and they will be individually mounted onto stiff card…..at least that’s the plan so far! There will be little background showing on pieces two and three but far more on piece one so I included some thick cords under that sheet of felt to indicate buried roots.
Wet felted Bergschaf fibres
The tree roots above ground have an aluminium wire as their core, wrapped with wadding and strips of medium weight Lutradur before being painted grey.
Tree roots made from aluminium wire and Lutradur fabric
I’ve started making the weeds using free motion stitch on dissolvable fabric but I will look at alternative materials, possibly Lutradur, to introduce different textures, create more bulk and not least to speed up the weed making process!
Making weeds using free motion embroidery
The fallen leaves at the base of the roots will be FM stitched on Lutradur. Once they’ve been cut out using a soldering iron and heat distressed to make them curl they will be painted in varying shades of gold.
Lutradur leaves
I’ve managed to get a couple of other group members to send me images of their work in progress…..
Jacky approached the challenge by choosing blue, green and gold as her colours and using the “stack and whack” method to cut them up. After selecting her fabrics they were cut up quite randomly and then machined together in strips. The three sets were then layed on top of each other and sliced through again. The yellow and green shapes in the resulting strips made her think of plant pots and this led to her theme of “neglected pots and plants”. In this piece Jacky has added an appliqué cactus and free motion stitched the neglected straggly plants on the left. This one isn’t far off being finished but Ive been told the other two are still piles of fabric on the workroom table!
Carole has chosen to use a combination of plain and patterned fabrics in her chosen colour scheme of red, blue and yellow. Each of her A4’s feature a different piecing technique i.e. strips, curves and crazy patchwork. Again this is a work in progress but already you can see how individual members are putting their own mark on their work and how different everyone’s finished work is going to be. I will post images of the completed challenges next time.

Tile collar

I just love it when I hear someone has been inspired to have a go at a technique themselves!  Lea’s work is wonderful and it’s well worth taking a look at her other projects.

Lea's creative moments blog

I saw a blog post by Karen Lane of a nuno felted collar workshop she ran for the Belchford Felting Group using the “tile” technique and thought I would try my hand at it.

Recyled silks and fragments of an Indian open weave cotton and tinsel scarf

Framing the fabric tiles with merino roving

I then convered the framed piece with two fine layers of merino roving. Added some commerical felt flowers in one corner for embellishment and then covered the roving with a layer of navy Margilan silk gauze. After felting, fulling and leaving to dry, here is the finished piece …

View original post

Pebble Necklace…..

I’ve currently got a thing for pebbles so thought it would be nice to create a Pebble Necklace.  This has been wet Felted using grey and lichen superfine Merino and white Silk.  It features hand stitched Colonial knots and is finished with a bronze coloured metal chain and fastener.

Wet Felted Pebble Necklace
Wet Felted Pebble Necklace