Lincolnshire Wolds Quilt…..

I’ve just finished my latest art quilt “Lincolnshire Wolds“.  This one has an entirely painted background, using Inktense on vilene.  I don’t normally use Bondaweb in my art quilts, I usually lay the fabric down and sew it straight onto the background but this time I made an exception.  After giving it some thought it seemed the easiest way to create the foliage on the foreground tree and a good way to make the shadow from that same tree on the field.

The stitching is a combination of straight stitch and free machine embroidery with a little hand stitching along the base of the hedgerow.

Art quilt depicting the Lincolnshire Wolds landscape

Lincolnshire Wolds

The one drawback to using pelmet vilene for textile art is that it is easily creased so it really needs mounting on a canvas or a board when I get around to it.

A Tribute to Three Worlds…..

Between Christmas and New Year I began work on a new art quilt which I have called A Tribute to Three Worlds.  This 44″ x 27″ quilt is my textile interpretation of a lithograph by one of my favourite artists, Maurits Cornelis Escher (1892-1972)

Black and white etching titled Three Worlds by artist Maurits Cornelis Escher

The original lithograph version of Three Worlds by Maurits Cornelis Escher.

I have been an admirer of Escher’s work since my art school days.  During a recent visit to Barter Books in Alnwick I bought “The Life and Works of Escher” by Miranda Fellows and felt inspired by this particular design to create my on take on it.

The first stage of the art quilt A Tribute to Three Worlds....trees and fish are painted and in position.

Background work in progress…..the trees are done and the Tyvek fish are painted and roughly placed in position.

I wanted to recreate the three different perspectives i.e. the trees above the water seen as a reflection, the Autumn leaves floating on the water and the fish swimming below the water, all of which make up Escher’s “three worlds”.   It took a lot longer to complete than I had imagined it would but I’m very happy with the result.

Three Worlds Art Quilt

A Tribute to Three Worlds

A Walk in the Forest…..

The latest quilt challenge for members of the Cranwell group is A Walk in the Forest and this is my interpretation.

A Walk in the Forest

A Walk in the Forest

With each challenge we are also given a particular technique to use somewhere within our work, for this particular piece we were asked to include painted Bondaweb.  This could be used over a large area or just included as a tiny piece, it was entirely at our discretion.  Those of you with a keen eye might be wondering where my Bondaweb is…….it’s so insignificant it’s not even worth me pointing it out!

When the subject was given out I immediately had this image in my mind of the trees and forest floor cut out of several pieces of Lutradur and stitched to create the illusion of depth.  I also knew that I wanted a shimmering backdrop to represent the daylight glistening at the edge of the woods.  After auditioning several fabrics, and not being happy with any of them, I decided to go with wallpaper for my background.  I had a sample of paper that was just large enough and created exactly the effect I was seeing in my mind.

The Lutradur trees were coloured from dark to light to suggest that the viewer is walking from inside the forest towards the light at the edge of the woods.  I figured the Bondaweb would be used fairly discretely to create shadow on the forest floor.  Unfortunately, as I had coloured the Lutradur with wax crayons, there was no way that the Bondaweb was going to bond!  Having said that, a tiny piece is clinging on, allowing me to say I have included Bondaweb in my work……..just not a lot of it!

Faraway Places…..

This morning I visited “Faraway Places”, an exhibition celebrating the work of the Waltham Textile Group, led by Jacky Hopkin.  The venue, adjacent to Waltham Windmill, makes it an ideal spot for families to visit with cafes, picnic area, miniature railway, etc.

There was a very varied and interesting selection of work on display featuring a whole range of techniques including hand stitching, free machine stitching, crazy patchwork, applique, burning, fabric painting and machine embellishing to name just a few!  The work really was inspiring as you will see from the following selection of quilts…….

Blue Mountain & Horizon by Ann Kitching

Blue Mountain & Horizon by Ann Kitching

Holiday Dreams by Ann Kitching

Holiday Dreams by Ann Kitching

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Snowdrops by Margaret Beadham

Snowdrops by Margaret Beadham

Desert by Carole Parkinson

Desert by Carole Parkinson

Gecko by Carole Parkinson

Gecko by Carole Parkinson

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The Water Carriers of India by Jacky Hopkins

The Water Carriers of India by Jacky Hopkin

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Heavenly Sky by Kath Greenfield

Heavenly Sky by Kath Greenfield

India by Venessa Drewery

India by Venessa Drewery

Riverside Trees II…..

Last year I made a little 20 x 30 cm riverside quilt as part of the Hockney Challenge.

Original Riverside Trees

Original Riverside Trees

Overall I was happy with it but, 18 months on and feeling more confident, I thought it would be a good exercise to revisit the design and make a larger version…….. Riverside Trees II.  This quilt is 68 x 108 cm and I’ve aimed to give the scene more depth by placing forests in the background and a near side bank with dried grasses in the foreground.

The main tree line is applied with forests behind

The main tree line is applied with forests behind

The colour of the sky was too dominant first time round so I’ve made it subtle and gone for texture rather than colour this time.  The trees are pretty much the same as previously but I felt the original version was too fussy so I’ve reduced their number from 7 to five and left off the smaller branches.  I think this has created a stronger overall image.

Auditioning fabric for the fields and river bank

Auditioning fabric for the fields and river bank

The lighter hand died fabric was chosen for the field and a chiffon scarf for the riverbank

The lighter hand dyed fabric was chosen for the field and a chiffon scarf was distressed and used for the riverbank

The river is applied

The river is applied

Finished Riverside Trees II

Finished Riverside Trees II

With this one finished I’m going to concentrate on my sketch book over the next couple of weeks and work on some new designs.  The latest quilt challenge to be drawn out of the hat at Cranwell is to produce a piece with the theme “a walk in the Black Forest” so that will be right up my street!

Horncastle – Gateway to the Wolds…..

I’ve just completed a commissioned quilt, entitled Horncastle – Gateway to the Wolds, for the local branch of the WAW (Walkers are Welcome).  The two characters in my design are based on the twins from the old Start-Rite children’s shoe advert, but in this case they are carrying backpacks and are walking in the Lincolnshire Wolds.

The old Start-Rite children's shoe advert

The old Start-Rite children’s shoe advert

After taking several photographs of the local landscape I chose the view which was taken just outside of Horncastle, with my back to the A158, looking across towards the Wolds and towards the village of West Ashby.

Photograph taken from the A158 on the edge of the Lincolnshire Wolds

View of the Lincolnshire Wolds looking towards West Ashby

The 30 x 30 cm quilt combines several techniques including the use of Inktense pencils to draw and colour the background scenery.  The twins are applique with 3D backpacks.  The trees have vilene trunks and needle felted foliage created using the embellisher machine.  The hedgerows were made from a lightweight scarf which was distressed using a heat gun while the stitching is a combination of hand and machine embroidery.

Working on my design for the Walkers are Welcome art quilt

My preliminary sketch for the WAW quilt

Working on the WAW quilt

Work in progress

I’m not a fan of borders so, as the brief was to include a border, I’ve painted it to make it an extension of the main image.

Horncastle - Gateway to the Wolds

The finished quilt

 

Cranwell Quilt Show 2016….

This weekend the two Cranwell groups, Crafty Ladies & Cranwell Contemporary Textiles, held their first ever quilt show.  I’ve been a member for just over a year and during that time have seen many wonderful pieces of work produced by the members but to actually see all of this work, and more, displayed together was amazing!

The show was split between two venues with the contemporary work by the CCTG in Cranwell village hall and the traditional quilts by Crafty Ladies on quilt stands and draped over the pews in the beautiful village church.  The following photos show a selection of the quilts on display in the hall.

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The next four photos are quilts made in response to our themed quarterly “challenges”.

Challenge Quilts....what Winter means to me

Challenge Quilts….what Winter means to me

Challenge Quilts.....Flora & Fauna

Challenge Quilts…..Flora & Fauna

Challenge Quilts....shape & colour

Challenge Quilts….shape & colour

Challenge Quilts.....(left) Summer garden, (right) Poetry

Challenge Quilts…..(left) Summer garden, (right) Poetry

Dedicated to St Andrew, Cranwell church originates circa the 10th century and it made a wonderful venue for the more traditional quilts…….

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New Version of Yellow Poppies…..

A couple of weeks ago, at a workshop with Mandy Nash, I was introduced to Bergschaf wool.  Since taking up felting I’ve been used to working with Merino and wasn’t too sure if I would take to the coarser, hairier Bergschaf but I love it!  Not only does it felt very quickly but, being supplied as carded batts, it makes laying out a lot quicker too.  Having previously made a vessel with it, this weekend I thought I would try using Bergschaf to make a felted wall hanging.  I’ve revamped a design I did a couple of years ago, making it larger and adding grasses.  The new version of Yellow Poppies is approximately 20″ x 15″.

My original Yellow Poppies felted picture

My original Yellow Poppies felted picture

Laying out the design

Laying out the new design

Wet felted Bergschaf and Merino wool picture entitled Yellow Poppies.

New version of Yellow Poppies.

The poppies and smaller flowers were made with Merino, the stalks are knitting wool and the detail was added with free machine stitching.  The black backing fabric is garden membrane which is great to use as it doesn’t tear or fray.

Reverse side of Yellow Poppies

Reverse side of Yellow Poppies

 

LINQS Inspired by Hockney…..

Tomorrow Molly and I are going down to the Springfield Quilt Show at Spalding for the day to see the LINQS (Lincolnshire Quilters) display of Hockney inspired quilts.  It seems like forever since we signed up to do the LINQS challenge, neither of us having made a quilt previously, so it will be great to see them hanging on show.  I was flattered to see that My Three Tall Trees was chosen to feature on the flyer advertising this weekends event.

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Springfield’s Flyer

We also got a mention in this months edition of Lincolnshire Life magazine after their reporter visited our Hockney Handover event.

Everyone breaths a sigh of relief now the challenge is finally over!

Everyone breathes a sigh of relief now the challenge is finally over!

We had a show and tell session in Horncastle and everyone agreed the standard of work was terrific!   The following photos show just a tiny number of the LINQS quilts which will be  embarking  on a national tour with Grosvenor  Shows starting tomorrow.

Molly proudly shows off her quilt at the show and tell session.

Molly proudly shows off her quilt at the Hockney Handover session.

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“Out and Onto the Canvas” is the title of the quilt made through a process of collaboration by the seven members of Textile Lincs.

The Three Trees by Wendy Skinner

The Three Trees by Wendy Skinner

Hockneys 18th VN by Jacky Hopkin

Hockney’s 18th VN by Jacky Hopkin

Three Green Waves by Sandra Goldsbrough.

Three Green Waves by Sandra Goldsbrough.

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It’s not all Black & White by Pat Sperr

After 1954, my quilt based on Hockneys mixed media self portrait.

After 1954, my quilt based on Hockney’s mixed media self-portrait.

 

Wet Felting and Textural – The Fate of Constance

Wet felting and textural

Our latest challenge at the Cranwell contemporary textile group has been to produce a piece of work based on a poem.  We could use any poem, any style and any techniques, but the finished piece had to be 20″ x 15″, quilted, and it had to include lettering in some form or other.

With such a “loose” brief the first thing I decided on was that, whatever poem I chose, I would use wet felting and my finished piece would be very textural. I sat down with my sketch book and thought through some of the odd lines I knew from well known poems. Nothing lept out to inspire me until the words “Oh what a tangled web we weave, when first we practise to deceive” came into my head. I didn’t know who the poet was or which poem it came from but a quick search on Google told me it was from an epic written in 1808 by Sir Walter Scott entitled Marmion: A Tale of Flodden Field.

I know very little about poetry but this surely has to be one of the longest poems ever written! It took me longer to read the poem than it did to make the quilt! You can read a potted version of the plot on Wiki, but basically it’s a story in which good triumphs over evil. One of the characters is a “fallen” nun called Constance who is condemned to death for her misdeeds and walled up alive on Lindisfarne. It was the fate of Constance which inspired my design.

Using Merino wool, the background colours were laid out and wet felted to prefelt stage, then cut into smaller pieces, relaid and felted thoroughly.  This technique is one I particularly like and the one I used in memories of a Greek holiday.

Carded Merino is wet felted for the background.

Constance’s head and torso were made from air dry clay and later painted with Inktense. The lettering was cut from Lutradur using a soldering iron and coloured with a permanent marker pen.  The first attempt at making a web was done with free machine embroidery on a soluable fabric and resulted in something that looked more like a fishermans net!   The second attempt was more successful using free machine stitching on Lutradur and burning it away with my heat gun. 

The finished quilt

The background has been free machine stitched and hand embroidered with Colonial Knots.

Detail from The Fate of Constance